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Arthur Koestler |
Arthur Koestler was a Hungarian born polymath who became a British citizen
in the 1950s and died in tragic circumstances in 1983. Three times nominated
for the Nobel Prize, he was an iconoclastic figure who threw down the
gauntlet to the left wing, the scientific establishment, Zionism and Hindu
spiritualism. He was passionate in his campaigns against totalitarian
tendencies, and wrote powerfully in defence of his stand. His novel, 'Darkness
at Noon', published in Britain in 1940 and written with reference to the
show trials of the Stalinist period, was ranked in 1998 as the eighth
best novel of the century. Similarly his powerful biographical essay in
'The God that Failed' ranks as a classic in the genre of confessional
writings by ex-communists. 'The Sleepwalkers', his account of scientific
discovery and human creativity based on the lives of Copernicus, Kepler
and Galileo, published in 1959, demonstrated how the progress of science
and human knowledge did not follow a smooth linear path. Koestler's exposition
of the psychological and ideological factors affecting scientific discovery
conceptually anticipated Thomas Kuhn's work on the structure of scientific
revolutions. Koestler's 'Ghost in the Machine', published 1967, was a
refreshing critique of the neo-Darwinian approach to evolution and the
theories of the mind, followed up two years later with 'Beyond Reductionism'.
He visited India 'in the mood of a pilgrim' but his account on Gandhi
in 'The Lotus and the Robot' was so scathing that the book was banned
in India. A Jew by birth and an early supporter of Zionism, he came to
be ashamed by the actions of the State of Israel and arguably his most
provocative book, 'The Thirteenth Tribe', proposing that European Jews
had no racial claim to land in Palestine, was published in 1976. An advocate
of euthanasia, Koestler killed himself in his London home in Kensington,
in an act of double suicide with his wife. He left a note in which he
expressed "some timid hopes for a depersonalised after-life". His is a
forgotten name today, even though on his seventieth birthday in 1975,
'The Times' compared him with George Orwell, with whom 'he shares the
status of one of the most cogent and brilliant essayists of our time'.
David Cesarani, professor of Jewish History at the University of Southampton,
has written a voluminous and pedantically chronological account of Koestler's
life and thought. As a biographer he foists on his subject a number of
his own prejudices, as a result of which the anglophile and convivial
Koestler is painted as an outsider frustrated by a high-living and lazy
British intellectual elite. However Koestler acquired a sense of Englishness
evident in remarks such as these, 'If even after thirty years in this
country, I still sometimes feel a stranger among its natives, the moment
I set foot on the Continent I feel British to the bone'. Moreover, Koestler
was embraced and treated frankly and affectionately by the English writers
of his day: Orwell spent a holiday in Koestler's Welsh cottage and chided
him for his hedonistic streak; Muggeridge famously said that Koestler
was 'all antennae and no head'; Cyril Connolly was a life-long friend.
In contrast, Cesarani has a chip on his shoulder about British intellectuals
that he transfers to his subject, "Koestler's cosmopolitanism, volcanic
energy and genuine anit-Facism must have made him an uncomfortable house
guest for such louche, posturing, ineffectual under-achievers as Quennel
and Connolly…".
Cesarani also interprets Koestler as the 'quintessential modern Jew'. "For the deracinated Jew, temporarily cut off from his past and his people by his own volition, for whom the USSR now seemed something less than a new promised land, the Communist Party and the spirit of international brotherhood substituted as home. His ever-deepening involvement in the party was an expression of his search for identity and belonging, a quest that was typical of so many estranged Jews in the 1930s". This theme of quintessential Jewishness is pursued with such single-mindedness that even Koestler's statements and actions disassociating himself from central European Jewry are regarded as 'acts of deception'! One wonders why, after chronicling Koestler's hedonistic lifestyle, misogynism, womanising and drunken revelry, Cesarani should still wish to embrace him in the Jewish fold. 'The Homeless Mind' rapidly attained notoriety because its spicy details
of Koestler's private life were serialised in the British press. At the
time another Koestler biographer publicly questioned how Cesarani obtained
access to the writer's papers, suggesting some impropriety on the issue
of literary property rights. Cesarani's extensive scholarship, in particular
the commendable use of KGB archives, emerges less a labour of love and
more an exercise in biographical opportunism. The incident involving Michael
Foot's wife has dented Koestler's reputation, no doubt contributing to
the University of Edinburgh's decision to remove a sculpture of Koestler's
head from display in 1999. |